In this online workshop, Juan Riveros will discuss compositional processes and writing for the harp, using his own compositions and works from both classical and Latin American repertoires to explore the vast opportunities for expression through music. There is no right or wrong way to compose, but rather endless possibilities for the organization of pitch and rhythm, resulting in different end-results. Every composer will use different musical materials to build a piece, and these works are simultaneously influenced by the other pieces the composer is familiar with. As such, every piece presents a uniquely configured set of expressions that reflect not only a composer’s intentions and goals, but also their identity. Topics will include: Harp-Friendly Organization, Achieving Affect, Influences/Inspirations, and Identifying Your Sound.
Juan Riveros is one of a new generation of young harpists who bridge a variety of genres and artistic avenues, building audiences and fostering fresh appreciation for an instrument with ancient and diverse traditions. His numerous honors include Award Winner in the 2022 Lyon & Healy Awards, Outstanding Instrumentalist in Harp at the 2022 and 2023 Sphinx SOPA Competitions, Award Winner in the 2020 Anne Adams Awards Competition, Third Prize in the Young Professional Division of the 2019 American Harp Society National Competition, and Grand Prize in the Lewisville Lake International Concerto Competition. Orchestral experience includes performances as Guest Principal Harp with the Cleveland Orchestra, Atlanta Symphony Orchestra, Ann Arbor Symphony Orchestra, Kalamazoo Symphony Orchestra, and Louisiana Philharmonic Orchestra. Riveros holds Bachelor’s and Master’s degrees in Harp Performance and Music Theory from the Cleveland Institute of Music, where he studied with Yolanda Kondonassis. In 2023, Riveros received an International Postgraduate Certificate in Harp Performance and Research from the National University of the Arts (Argentina). Riveros is currently pursuing a Ph.D. in Music Theory at the University of Michigan.
In addition to an active performance career, Riveros maintains a private studio of harp students. In his instruction, Riveros is devoted to crafting constructive approaches to harp pedagogy and music theory fundamentals. His research interests focus on providing accessible resources regarding the performance practice and repertoire of the harp (especially repertoire and traditions of Latin American origin), and music theory pedagogy. Riveros currently serves as the Diversity Coordinator for the American Harp Society (AHS), as well as a committee member on the IDEA Committee and Membership Committee.
